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There are many things that suck: gravity, taxes, the New York Yankees, but what I’ve been busy reacting to recently is aging. Now, don’t get me wrong, getting older certainly beats the alternative, but I’m still getting used to the fact that there are some things I can’t do anymore and, just as often, some things I don’t want to do anymore. One of the latter is why I bought my new camera. When we head out on trips where we’re hauling our gear on our backs (as compared to the back seat) weight has become more and more of an issue. With my old camera gear, I needed a dedicated, specialized bag to carry the body and two (or three) lenses. My minimal kit (Canon 7D, 10-22mm lens, 24-105 lens) came in at close to 8 lbs., and that’s without the other crap I need as support gear (back up disks, iPad, chargers, batteries, etc.). When we returned from our last overseas jaunt, I told Patti that before our next major trip I was buying a new camera. If you read my last post, you’ll know I did just that, picking up an Olympus OM-D E-M5 Mk2 which comes in under 2 lbs. Last time, I said I liked my new camera and the intervening months have only made me like it more and more.

It comes with a pretty hefty learning curve, however. It has been described as the most customizable camera currently on the market and the folks that say that aren’t kidding. I’ve been setting it up just the way I want it and, in order to figure out what the hell I’m doing, I even bought a book to explain the various options. It’s helped.

While trudging up this learning curve, I decided to exercise one of the advanced features this camera offers. It’s called the Hi Resolution mode, and here’s how it works. The camera normally takes a 16MP image. However, when it’s in the hi-res mode, it takes a 40MP image by taking 9 separate images, moving the sensor half a pixel in a different direction each time and then combining the images into one ginormous image. It needs to be on a tripod for this to work and the scene needs to be static since any movement would show up as a blur. The sweet spot for this is landscapes and, hey, we’re going to Switzerland this spring. There’s a pretty significant chance I’ll be taking a landscape or two. I thought I’d give it a test.

So, the other morning I took a couple of test shots from the parking lot at work. See the images below. The first one is a normal 16MP shot, the second a hi-res version. The camera was not moved between them (the slight differences between the two is due to a crop/straighten I did…the camera was uneven on the GorillaPod I was using). I was about 550 yards from the base of the building shooting at a 35mm equivalent 52mm.

16MP VAB, KSC, FL, 2/4/16

16MP VAB, KSC, FL, 2/4/16

Hi-Res VAB, KSC, FL, 2/4/16

Hi-Res VAB, KSC, FL, 2/4/16

Below are two extreme close ups of the flag. Note how, even without clicking on the image to zoom in, the stars are crisper and how you can now see the vertical grooves in the panels of the VAB in the high-res version. Sweet. This won’t be a feature I use every time, but it will be used.

I like my new camera. Still.

16MP Close up, VAB, KSC, 2/4/16

16MP Close up, VAB, KSC, 2/4/16

Hi-res Close up, VAB, KSC, 2/4/16

Hi-res Close up, VAB, KSC, 2/4/16

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